DiaChronic

Miram vs. Harriet

Cyanotype, Embroidery, Hand Dye on Cotton

Rendered in the deep blues of cyanotype, this pair juxtaposes two architects of exodus. Miriam is the silent catalyst, defined by the colored reeds and the basket that secured a prophet’s survival. Harriet Tubman is the prophet realized—the "Moses" of her time—wearing a vibrantly embroidered top beneath a sky dyed to mimic the Northern Ligh

Dinah vs. Emily Doe (Chanel Miller)

Cyanotype, Embroidery, Beading, Eco Printing, and Cheesecloth on Cotton

This diptych explores the shared anatomy of survival. By contrasting the voicelessness of Dinah, whose mouth is absent from her own history, with the singular, anonymous voice of Chanel Miller, these works examine the evolution of women's agency. Utilizing ecoprinted backgrounds that mirror th

Bathsheba vs. Hollywood Starlet (Rose McGowan)

This diptych examines the predatory gaze and the heavy crown of being "chosen" by power. It bridges the voyeurism of the ancient rooftop with the systemic consumption of the modern industry, where a woman’s identity is often eclipsed by the shadow of her observer.

By juxtaposing the biblical Bathsheba—veiled in the blue of the bath—against the "Starlet"

Wise Woman of Abel vs. Ghislaine Maxwell

Rusty dye, Cyanotype, and Embroidery on cotton

This final pairing explores the weight of the "Keys to the City" and the moral choice between preservation and betrayal. It contrasts the Wise Woman of Abel, who risked her life to negotiate with an army and sacrifice a villain to save her people, with Ghislaine Maxwell, who used her proximity to power to grant a

Deborah & Jael

Embroidery and applique on cotton

A monumental work four years in the making, this piece serves as a textile "history painting" that explores the shared burden of prophecy and execution. Reminiscent of the visceral intensity of Artemisia Gentileschi, the composition follows the literal and metaphorical "thread" of command: the hair of Deborah—the judge and strategist—flows across the 

El Roi

Embroider, Beading, and Applique on Cotton

Dominating the composition is a singular, celestial eye—a testament to the name Hagar gave to the Divine in the wilderness. This work explores the complex spectrum of the female experience: the doubt and desperation of Sarah and the isolation and eventual solace of Hagar.

Through two distinct gestures, the piece tracks the movement from control to sur